Verity Vintage Studio

Blog Tour of House & Home Fabric: Wall Quilt with Poppie Cotton

 

I've been working on something special with some new Poppie Cotton fabric, and get to show it off today as I kick off the blog tour for House and Home!

 

This has to be one of my top loved of their collections so far. It has a wide color range, so it can have many different looks. I chose to use only the pastels and picked my top favorite 5 prints to use for a softly shaded wall quilt in some of my very favorite colors.

 

I used Gigi's Thimble free pattern for her 2 Stars a Day quilt; though I couldn't participate on the quilt along she hosted, I loved her idea & mockup, and made a smaller version for myself with 2 stars in each fabric for a total of 20 stars, divided with 10 on each background color.

 

This was my first time making flying geese units, believe it or not... Her tip to press the seams open was very helpful, though I quickly gave up on matching the star points. (I'm definitely going to invest in a quarter inch machine foot so I can be more precise in the future - but luckily I'm not a perfectionist.)

 

It was fun from start to finish. I've found I really love making smaller quilts. You still get to play with a variety of fabrics and blocks, but without so many you get tired of making them. They are so much easier to wrangle when piecing the top, pressing, and quilting. And allover a much faster finish, which suits my instant-gratification urge very well!

Mine finished out at 34 x 42 inches, so it's a good size for a wall hanging, but could totally be used as a baby quilt too. 

Star blocks ready to sew together.

The finished quilt top!

 

I have a spot on my kitchen wall where a window was taken out and badly patched...too big for a picture to cover well, so a quilted wall hanging is the perfect option. I have one that's been up year-round, but have been wanting to make one for every season (probably will end up with one per month! :-)  - so this was the ideal project to quickly finish and hang up to enjoy while it's still spring! 

I love getting to look at it every day. 

 

I just adore the periwinkle floral and all the little toile and sprig prints. I had enough of the pink toile to use as a background, and I have to say I love the alternating block background colors in Amber's pattern. I will definitely utilize this feature again! The only change I made to her pattern was to add the sashing to the outside edge to finish the pattern, instead of the solid border she sketched.

A small quilt in a big world.

 

The 6" stars are small enough to be dainty, but large enough to show off a lot of the fabric. 

 

I hand quilted it - an easy project that went pleasantly fast - and added a couple of hanging loops to the top under the binding.

 

 

To bind it, I cut two strips each from 4 of the green color way fat quarters and stitched them end to end. This makes a subtly scrappy binding - a great option for someone who doesn't have enough of one coordinating fabric for binding, or who doesn't like a more obvious scrappy binding.

 

It was such a fun project, each step of the way. Thanks to Amber for a great pattern, and to Poppie Cotton for giving me the opportunity to create with such dreamy fabric! I hope this inspires you to sew your own version.

 

Check out the other makers on this blog tour:

Monday, May 23	https://verityvintagestudio.typepad.com/my-blog/
Wednesday, May 25	Lisagarlick@gmail.com
Friday, May 27	http://happylittlecottage.blogspot.com/
Monday, May 30	http://neverlandstitches.blogspot.com/
Wednesday, June 1	pandsf@frontiernet.net
Friday, June 3	Instagram: @emmas_crafternoons
Monday, June 6	http://prettybyhand.com/
Wednesday, June 8	amerooniedesigns@outlook.com
Friday, June 10th	http://www.linenbouquet.com
Monday, June 13th	https://www.goodvibesquiltshop.com/blog
Wednesday, June 15th	www.freshdewdrops.com

 

 

1950s Gray Floral Blouse

I splurged on this lovely piece of vintage cotton from https://makethislook.com during the launch of their new website. It was just a perfect length for a blouse, and I loved the larger scattered print and the unusual combo of gray & yellow colors together.

 

 

Instead of stashing it on my shelf when it arrived, I cut into it right away.

 

I wanted something simple to let the print have center stage, so I chose a 1950s blouse overblouse pattern that had a wide wing collar and raglan cap sleeves.

 

It had a front seam, though, so I did a simple alteration to make it open down the front instead. 

 

I made it in one day; definitely nice to have a quick and easy pattern like this. I had to alter it somewhat after the initial try on, and tweaked it again after taking these photos. But I just love the fabric!

 

It's a cool and comfortable summer blouse that can work well for casual too. Here I paired it with a navy pencil skirt from a 1950s pattern, and a new to me 1950s hat I got recently. 

 

Isn't that polka dot veil the cutest?

 

I can't splurge on vintage fabric very often, but I'm glad I got this one - and also enjoy supporting a new small business.

1950s Teal House Dress

I have been on a sewing spree lately, cranking out lots of quilts and garments, with multiple projects on the go at once, and a couple dozen clamoring to be next on the list. My latest finish was this dress made from a mail order 1950s pattern.

 

It was a bit more of an adventure than usual because when I went to cut it out, I found that the front bodice piece was missing. I ended up using the back piece as the front piece too, but had to rip it apart after the first trial and redo some things before it fit reasonably well.

 

This pattern reminded me of my yellow dress made a few years back, but without such a slim skirt - definitely more flattering for right now post baby 3. I really like it, but don't know if I'll ever cobble it together again since I know now the bodice piece is missing.

 

I think a gathered yoke is so flattering!

 

I top stitched it with a narrow zigzag to add a little extra interest. (Well, to be completely honest, I topstitched it with a narrow zigzag because I didn't want to change my thread color, so decided it was easier to look like a design choice instead of laziness. :-)

 

The fabric is a quilting cotton basic in a pattern now discontinued from Riley Blake Designs. But there are a lot of this type of print as a quilting basic by various fabric companies, and it really is a good fit for vintage sewing. The random scattered lines are very reminiscent of some vintage fabric I've seen. Another example of how, if you train your eye, you can find possibilities in modern fabric.

 

I also knew it would look nice with white cuffs, but the wing cuffs on the pattern are not my favorite to make, and certainly not practical for a wash-and-wear dress, often with sleeves crammed into a sweater. So I opted for a simple white band, so I still had my white sleeve trim. 

 

The raglan sleeves are very comfortable and not restricting at all.

 

The neck turned out too low, and also sitting a bit wide. Rather than tear it all apart, I tried something new - adding a tab detail at the neck, to help pull it together a little, while adding more coverage. It's sewn to the dress on one side, and snapped on the other. I think it works reasonably well. 

With all my seamstress experience, I still have not figured out the right way to do this type of skirt closure. This one is kind of cobbled together. Someday I want to learn how to do it properly from someone who knows how!

 

But regardless of all the adjustments and tweaks, I'm quite pleased with how it turned out, and love the color & print! I'm happy to cross this one off my list, and head on toward the next one, which I had cut out before this one was done.

 

Easter Dresses 2022

I had a number of options on my to-do list that were good possibilities for Easter, but since we went on an extended family trip and got home just a week before Easter (plus dealing with sickness that week) I opted for the easiest, more low-key option. One that I had a better chance of actually completing before Easter.

 

I had already cut out and started on this dress before we left on our trip, so it was a relatively quick finish. I used the same 1950s pattern used for the gray cherry dress, but left out the collar option this time.

(Yes, the sun was bright, but the hills are GREEN again and I'm so excited to take outside photos again!)

 

I made a few tweaks, including doing a wide sleeve facing so that the wrong side of the fabric isn't visible when I lift my arms, since the sleeve is wide. 

 

I also added a few neck darts to make the neck a better fit in the back. 

 

Otherwise it was quite simple and straightforward. The large floral is from a lovely new quilting line called On the Wind, and I thought this print had a definite 1950s vibe, but also needed a simple pattern. This was a good match, especially since I realized while working on it, that both the fabric and the kimono-type sleeves conspired to give it a slight Oriental influence, which was fun. 

 

Yellow is not my usual color, so I was happy to have such a cheerful addition to my wardrobe. I was surprised how much the coral belt picked up the scattered coral flowers. Again, not my color, but as a touch of accent it works well and gives me more variety.

 

It will be a quick zip-and-go comfy dress for this summer. I brought back a number of fun vintage finds from my vacation, including this lovely midcentury white purse, so of course I had to use it right away.

 

For the girls, I had already saved the 1950s floral dress I made earlier for the oldest's Easter dress. For the baby, I used the same print in another color way (from a fabric line appropriately called Easter Parade), and used my single baby pattern that is smaller than 1 year old. It turned out pretty cute!

 

I had made this one before for my oldest daughter, but this time I added the bow and love it. 

 

To close it, I stitched snaps on and added the buttons just for show, and to cover up where I had sewn the snaps. 

 

They were so cute in their coordinating dresses. We were blessed to have a sunny Easter, since the previous day (and several other days that week) we had awakened to inches of snow. But Sunday was a beautiful day!

 

Now home and mostly caught up from our long vacation, I'm looking forward to getting back to my sewing list. I have some fun things planned.

 

But meanwhile - Happy Easter!

The resurrection completes the inauguration of God’s kingdom. . . .

It is the decisive event demonstrating that God’s kingdom really has been launched on earth as it is in heaven.

The message of Easter is that God’s new world has been unveiled in Jesus Christ and that you’re now invited to belong to it. ―N. T. Wright

 

 

Gray Cherry 1950s House Dress

I got a fun 1950s pattern from someone on Instagram, and knew it would be perfect with some giant floral fabric on my to-use list. But I wanted to test the pattern's fit first, so I pulled a less special fabric out of my stash to make a trial dress.

 

The pattern was super simple, so I decided to challenge myself to make it entirely in one day. I started cutting it out at 10:00 a.m., and finished the last hand stitch on the hem at 3:00 p.m. It was fun!

 

The pattern is very basic - only 5 pieces, other than the collar (which can be omitted) - but it has a fun style element with the wide raglan sleeves. 

 

I had to do a brief fitting tweak after my initial try-on, but otherwise it all went smoothly and fits very well! I also altered it to zip down the front instead of the back, for nursing access. I didn't have an invisible zipper foot, so I used my regular presser foot and made use of the handy needle position lever, and it worked out quite well!

 

It's super comfortable and easy to wear - quintessential 1950s style. As usual, though I am drawn to the fancier patterns, I often find the more simple patterns (besides pairing well with more fabric prints) are the ones I actually wear. 

 

I love raglan sleeves, both because they are comfy to wear and have a better range of motion, and because it's fun to make a dress without needing to set sleeves!

 

It's a good fit and perfect for a busy cotton print. I'm definitely ready to cut into my fancier fabric, so stay tuned for another version soon!

 

 

A Spring 1950s Novelty Skirt with Art Gallery Fabrics

When I got the chance to sew with some of Art Gallery Fabrics new Capri line, I instantly envisioned the lovely scenic print as a 1950s novelty skirt. 

 

 

Most 1950s novelty skirts let the fabric take the stage, and use the simplest basic pattern - usually a full, straight skirt gathered or pleated at the waist. I wanted to do something a little different. My idea was to incorporate a little contrast, and after a little while I decided on an overlaid scalloped hem.

 

I used the skirt part of a dress pattern that is very full, but darted at the waist to bring in the fullness, which is more flattering.

But I hadn't thought it through completely, and the flare definitely made drafting the scallops a lot harder. I measured the fabric and divided it by 5, which gave me the width of the scallops. I cut out a paper template and used that to cut the scallops, then turned up and pressed the edge under.

 

So far so good, but adding the contrast underneath as a straight band didn't work, so I unfolded and recut it as a flared band. This slid underneath the scallops, which I top-stitched in place.

 

The fold of the band formed the finished edge, so all I had to do was tack down the top edge. I like the deep finished underside, which is typical of many 1950s dress hems.

 

So after the first failure, I was pleased with how it turned out after all!

 

And my mother's 1950s yellow and white stove makes the perfect backdrop. (Side note, vintage stoves are incredibly practical as well as beautiful!)

 

Art Gallery Fabrics have a lovely drape and crisp finish to their quilting cotton, almost like a poplin. It is definitely suitable for sewing garments - I highly recommend. 

 

There are so many fresh spring colors in the print, I can pick any of them to accessorize. If I can't travel to Europe in person, at least I have an almost-souvenir! 

1930s Dress & Jacket Set

I have long admired this photos, come across on Pinterest, long ago sold on Etsy. I decided to give a try at recreating it, using. 2 shades of a new basic by Riley Blake Designs called Dapple Dot.

 

I'm always a sucker for polka dots, and this has a fun scattered dot in several sizes. Of course it was meant for quilting, but it also works well for garments.

 

I did a mishmash of 3 different patterns for this outfit, not trying an exact recreation, but rather just inspired by the overall era and look.

 

The 1930s pattern I used for the bodice had extremely scanty instructions, even for a 1930s pattern. I had to mostly figure it out on my own. As usual with early or mid-'30s styles, I have trouble with the fit, but I was super pleased with the neckline. 

 

The neck tie is built in to the front piece, and the sleeves are raglan set, I love all the interesting detail, and especially the neckline, since usually I don't wear keyhole necklines as they are too low. 

 

I added piping contrast trim on the jacket, and was pleased with how that turned out.

 

Overall I like the outfit, but it has enough issues that I probably will try again in the future at some point. But it reminded me of how much I like dress/jacket combos - two totally separate looks, and they are so versatile, especially for these transitional seasons of the year. 

Easy Infant Cheater Puff Quilt Tutorial with Poppie Cotton

When I saw the adorable panels by Poppie Cotton for their new Hopscotch & Freckles fabric line, I knew immediately I wanted to make a cheater version of a puff quilt.

 

I chose my favorite color way of the cute pictorial panel, as well as some backing and binding. To make this size quilt, you will need around 1 1/4 yards of each fabric for front and back, and just over 1/4 yard for binding. 

 

Start by pressing the front and back fabric. Then lay out your front fabric. (You can of course use a non-panel fabric, but then you will have to mark your own grids. This panel has a grid of 3 x 4". A larger grid could work, but I don't recommend going smaller.)

Since I am working within the limits of the fabric print, I didn't get an exact yard cut, since I wanted to have complete pictures. So I just measured the closest to 36" in each direction, and trimmed the fabric about an inch farther out.

 

You will be stitching your final row on these two lines, and trim off the excess later. 

 

Now get your backing. This quilt will be reversible, so you can use a basic like I did, or mix it up with another fun print. Keep in mind that you won't be able to keep it straight though, so a striped fabric, for instance, will probably end up looking crooked.

 

Lay them out wrong sides together and put a few pins in to keep them in place for now. The backing should be a little larger than the top fabric to allow for shifting. 

 

Now we are going to stitch the first row of lines. It's so handy to have the lines to follow on the fabric! We will stitch the horizontal lines first, starting in the middle, and stitching each one across the fabric. 

 

When you get to the last row on the grid, go ahead and stitch it. The rest of it will be trimmed later.

 

Here is my fabric with all the horizontal stitched lines. You won't need any more pins, as this quite secures the two fabric layers together. 

 

Now it's time to start making and stuffing the pockets! We again start in the middle, and stitch the first vertical line.

 

Now that a 3 sided pocket has been made, it's time to stuff it and stitch it closed, which also makes the next pocket. This is the PERFECT use for leftover quilt batting that has been trimmed from your quilts but isn't wide enough to reuse easily. 

You will need to experiment with how much to use. Start with less, as it's easier to add more than to take some back out. Stick it in the first channel and tamp it down with a ruler or some such object. (Even this small of a quilt, the first rows are a bit harder to do, so if you cut your fabric larger for a bigger quilt, be prepared for the center rows to be challenging.)

 

Once you're satisfied with the fullness, hold it down with your hand and stitch about 2/3rds of the way across it.

 

Stop with the needle DOWN, and stuff the next one.

 

Continue all along the first row. Here is my first row. You can see that it will draw up the fabric so it's no longer flat and straight. The good news is that if you stitch a crooked row or something, it won't be noticeable at all. 

 

Continue working from the center out, stuffing each pocket and stitching it closed. Here is my first half done.

 

Now rotate the quilt and work from the center out in the opposite direction. It will get pretty bulky but this size is still small enough to handle fairly well. 

All done!

 

Now trim with a scissors about 1/2" from the edge of the outer stitched line.

 

You can see it is ruffled, and thus if you do a regular quilt binding, it will ruffle too. I have a tip for that, so hang on.

 

Cut and press your binding strip just like for a regular quilt. I cut mine 2 1/4" wide, joined them end to end, and pressed in half. Since I wanted to machine stitch this binding, I'm sewing it to the wrong side of the quilt.

As you sew the binding, take a pinch out of each pocket section, and pleat or fold it over. This will use up the extra fabric and keep the edge from ruffling.

 

All finished! Look at the fun plush texture.

 

While it can be used as a crib blanket or comforter, my main goal was to make a floor quilt that has more padding, so that when an infant has tummy time, the little head is more protected from the hard floor. Of course I had to try it out with my own baby girl.

 

Got a few smiles too!

 

Look at the adorable pictures and the fun puffs.

 

Mine shrank down to about 31-32", but that's still a good size for an infant.

 

It's the new favorite play blanket of my older children as well. And I made it from start to finish, even with taking photos, in a few hours. I hope if you try one you let me know how it turns out!

 

Check out the other creations on this fabric tour:

Monday, February 21	http://prettybyhand.com/
Wednesday, February 23	https://charismascorner.com/
Friday, February 25	theredfeedsack.blogspot.com
Monday, February 28	https://bretquiltdesigns.com/
Wednesday, March 2	http://www.abrightcorner.com/
Friday, March 4	http://www.linenbouquet.com
Monday, March 7	http://neverlandstitches.blogspot.com/
Wednesday, March 9	https://verityvintagestudio.typepad.com/my-blog/
Friday, March 11	http://happylittlecottage.blogspot.com/

 

Late 1950s Leaf Dress

I snagged some of this lovely print from Riley Blake Designs' new line Buttermilk Homestead, which is an 1800s reproduction fabric line, but this print definitely shouted midcentury to me. I had a pretty definite outline of what I wanted it to look like, so I just had to look through my patterns to find one that fit my mental image.

 

I settled on this late 1950s pattern which I remember buying fairly early in my sewing journey, and never making. It's been in my drawer for something like 10 years! Definitely time to give it a chance to shine.

 

It has the familiar 1950s silhouette, but also some cute details that are a bit more unusual. The back bodice pleat, scalloped wide collar, and inset waist bow made it quite unique.

 

I BARELY squeezed it out of my yardage, and that included taking width out of the front skirt, piecing the collar facing, shortening the skirt, and there was sadly no way I could do the 3/4 sleeve option. Bonus, however, to not have a lot of leftover scraps I have to find a place to store.

 

After the initial fitting I had to make some adjustments. The back pleat looked lovely when the dress was laid flat, but worn it bulged badly. I tried cutting an inch off the back bodice, but that didn't help significantly. I ended up top stitching the pleat down about halfway up - in the end it worked well, since it fixed the bulge problem but still allows the pleat to move and give my shoulders room. 

 

I was super pleased with how the collar turned out. Sometimes I don't like wide collars on myself, but this one I do. And the back scallop is just too cute!

 

With the waist bow, I couldn't wear a belt to cover up any discrepancies, so I had to take more pains than usual to make sure it fit me and the seams matched at the waist. The bow is made in a long strip, folded to make a bow, and then the ends sewn into the front bust darts. I thought that was pretty ingenious, though it did make for a more interesting construction a little out of the usual order, since the front darts had to be done last before the skirt was attached - and then you had to be careful not to catch the bow in the waist seam.

 

I realize with this busy print the bow and collar is lost slightly, but I still like how it looks. This would be a great pattern for a solid color or even for a cocktail dress in a formal fabric. It's very similar to some that Donna Reed wore in The Donna Reed Show. Now that I've made it and know its quirks, I'll keep it in on the burner to make again in a different fabric.

 

I ran into a snag when I went to choose buttons. The background color is an interesting gray-blue, which meant that if I tried to match blue buttons they looked wrong, and gray looked green. I finally settled on black since the leaf detail is in black. It looks well enough, but wasn't quite what I had originally in mind.

 

I was able to make it in just a few days, and it was a refreshing palette cleanser after making quilts. It will be a good season transitional dress. Now I really feel like I should host a bridge party or something! 

2021 Vintage Sewing Recap

Time for a quick look back at my past year of sewing vintage fashion! I always like to see all my makes for a year in one place. This year held a few months of no outfit sewing at all, and other months that were quite prolific. I started collaborating with Riley Blake Designs early in the year, and later on with Poppie Cotton, so all but one of these were sewn with new fabric rather than out of my stash.

My first make of the year, which was also my first blog post featuring Riley Blake Designs fabric.

 

I didn't get a lot of new patterns this year, but this was one of them, and it promptly got made up instead of sitting for years in my stash.

 

But a lot of my projects this year used patterns that I have had for YEARS, and I am so excited they finally saw the light of day!

   

1950s two color dress; 1930s Easter dress

 

I had a few repeats this year... Here's another pattern that I have owned for a very long time, and when I made the first one I liked it so much I immediately made a second one! I can't imagine why it languished in the drawer for so long.

   

1930s floral dress; black geometric version

 

I made a lot of baby clothes this year too! It was a bit of a learning curve, so some were more successful than others, but I learned to like making the smaller dresses.

     

1950s baby dress, sailor dress

 

1930s smock dress

 

I couldn't believe the comparison of how much my baby girl grew in one year!

   

1930s baby dress, 1950s princess dress

1950s goose dress

 

This was the only thing I made all year that did not use quilting cotton! It was also my only "modern" pattern - actually a reprint of a 1930s pattern. It was one of my more difficult projects this year, and the rayon challis I used was quite lovely.

1930s rayon blouse

 

Part of the reason I didn't sew with other fabric types was that during the fall, when I usually break out the wool and suiting, I was big pregnant and only made two maternity-friendly projects from July-December.

 

1940s-does-1930s adjustable dress; 1950s adjustable pleated dress

 

I also used what probably is the oldest pattern in my collection for this baby dress. She has already outgrown it, but it's one of my favorite baby makes this year. 

 

Another one of my long-owned patterns that was a remake from a very early version in my sewing career, was this 1930s blouse pattern.

 

This 1950s apron pattern was another double make this summer. I love the scallops!

   

1950s pink apron; green version

 

As always there is plenty of blue represented! Though overall I am pleased with the color variety.

 

1950s slender sailboat dress; 1930s princess dress

 

While I may not have had much variety with fabric fiber this year, I did have a fair representation of different silhouettes. 

aqua 1950s slender dress

 

I also did some fun experimenting with dress details, which is a great way to jazz up quilting cotton. From appliqué to decorative top stitching and different kinds of trims, I like adding the special touches.

 

 

 

Of course this is only my garment sewing for the year. I also did a lot of craft sewing, including tutorials on this blog not shown in this post, and a lot of quilt designs. My sewing machine got quite a workout!

1950s pastel blouse

 

My count for 2021 is:

    8 1930s adult garments

    1 1940s    

    7 1950s

and 7 baby dresses

 

I have a lot of ideas and a long to-do list for 2022, but I also know that flexibility is key since I now have three small children and a very busy design schedule. A lot of my personal sewing I have to fit in around deadlines - but I have some exciting projects I want to get to, and it's amazing how that motivational that can be!

Hope you all are having a lovely January.

~Kristen