Verity Vintage Studio

Last Rose of Autumn - 1930s Dress

We have just one thrift store in our rural area, but it is such a good one and has such good prices. I regularly find all sorts of amazing vintage things there (not to mention children's clothing for 25 cents or less, for my two growing toddlers). I might go there several times without finding any nice fabric, but other times I get a fabric haul that makes up for it. Such was the case with 3 yards of this beautiful crinkled vintage fabric, which I got for $1 or less. (At the same time I found some pink vintage rayon with scattered tulips on it - destined for spring sewing!)

 

It is probably from the 1950s. I just love the large abstract roses on it, and the unique finish and nice drape. It's so hard to find good large print, vintage suitable fashion fabric these days. A knowledgable friend told me it is viscose, so I washed it in cold water, and it only wrinkled slightly. 

 

I had plans for it. I even made up a trial dress of the 1950s pattern I had planned to use with it. But when I went to cut out this version, I realized that the very narrow width of this 3 yards meant there was no way I could fit all the pieces on it. I didn't want to add a contrast, or cut the sleeves from something else, so I had to scrap my original pattern idea, and pick something else. 

 

I have all my patterns catalogued on my phone, so I don't have to dig through them all the time. I scrolled through, looking for something that had only a few pieces, and that would work well with the fabric. I settled on this 1930s pattern - which providentially enough, I had just made a few months earlier as a color block version - so it was a trial dress without knowing it!

 

The pattern pieces - there were only 7 of them - fit on it very well, and I even had a bit of extra fabric leftover. I substituted a sleeve from another 1930s pattern, to change things up a bit. It's fun to see how different the two dresses are made by fabric choice.

 

I made a self belt and used a lovely vintage shell buckle I had bought from a UK seller on Instagram. 

 

The new hat I had gotten last time I went antiquing in Boise was the perfect match. It's so pretty! I love the delicate chenille-dotted net veil.

 

All my other accessories are vintage as well. I think this is the only set of pictures I got this year with the pretty yellow tree in my front yard, because just as it was turning gold we got a storm which took most of the leaves off, sad to say. 

 

Despite the fabric being a later date than the pattern, I think it ended up a happy match. It's very simple, yet elegant. Here I paired it with brown, but other colors work as well - and it's a nice bridge between seasons. I am so pleased with being able to bring this lovely vintage fabric to life, and enjoyed wearing it to several autumn weddings.

 

My fall sewing has been nonexistent since I made this dress in early October. I had a bunch of deadlines keeping me busy, and then on top of that we found out we needed to move, and the prospective new house needed some renovations. So my days have been crammed - the only sewing I've been able to do has been snatching moments to work on the current quilt in my design lineup. 

I do have a few other fall garments finished to the handwork stage, but this is the only one I've completed thus far.

 

But, for my one and only finished fall project, it's a good one!

Bluebird Blue 1930s Housedress

A little while ago I found a vintage pattern on eBay that I was so happy to get. It was very similar to another pattern I've owned for a while, but have not been able to make because it doesn't open down the front and I didn't feel like altering it so significantly. This one had the same features - pointed yoke with triple darts & little fold down collar with a plain neck option - but had a button front! Once it arrived, it quickly jumped to the top of my queue. 

 

I picked a favorite quilting cotton print in my stash to pair it with. I love this fabric so much - the blue is so vibrant, and the little coral and pink roses make it a bit different color scheme than most of my blue dresses. 

 

It does hide the details a bit (though they are more noticeable in person). I should make this pattern again in a solid color, maybe a jeweltone wool for fall so you can actually see the design elements. But meanwhile I am still happy with this dress.

 

 

It was pretty easy and quick to put together. My only trouble with fit is the back of the neckline gapes a bit, so next time I will adjust that. 

 

I have had these lovely peach buttons in my stash for a long time, always wondering what I could use them on, since they are so pretty but not a color I often wear. Once I was auditioning choices for this dress, I promptly settled on these since they are the same shade as the roses. I'm so happy to finally have the perfect use for them!

 

There is still enough white in the print to wear a white belt with it, though, and I tied that in by deciding at the last minute to add a rick rack insert to the sleeves, just for fun. I really like how it turned out! I used to think rick rack was only used for top stitching, but since I've found other creative ways to use it, it has risen in my estimation. Inserting it this way is a different way to add trim than just tacking something on at the hem all the time.

 

I really like how the triple darts shape the front, and also the dart fitted sleeves are a favorite detail. Again, they are hidden a bit by the print, but I know they are there. :-)

 

 

It's an easy to wear house dress, comfortable and cheery, suitable for various seasons. It doesn't show dirt easily, and doesn't need an extra layer on top. 

 

I'm happy to add this pattern and this fabric into my weekly everyday wardrobe rotation!

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Vibrant 1930s Colorblock Dress

Taking a short break from vacation outfit pictures to show you this fun dress I made back in July, and took me ages to get pictures of. 

 

It had quite a long evolution too. I got the retro blue flowered rayon from JoAnn when it went on clearance a few years ago. Modern rayon that is suitable for vintage sewing is hard to find, so I got enough for two dresses, but it sat on my shelf for a while.

Then about a year ago at an antique store I got the pink fabric - not sure how vintage it is, because it feels synthetic, but it certainly was a pretty print with retro styling. Just so very, very pink! I honestly wasn't sure I'd ever use it (certainly not as a whole blouse!), but rather than sell it again, kept it also on my shelf for a while. 

 

Then one day I rediscovered this 1930s dress pattern that was an early project I made 5 years ago. I realized it really was a cute pattern that just might work for nursing, and wanted to make a better fitting version now that I am more experienced. Just on a whim, I pulled both these fabrics off the shelf and draped them on my mannequin. I'm usually pretty conservative with my fabric combinations, so using two very different bold florals in such bright shades was a first for me - but the pink was exactly the same color as the little flowers, and the crazy combination actually worked for me. Besides, many vintage dresses from this era were just as flamboyant. 

 

So I made it not much later - it's quite a quick project. The rayon from JoAnn has a lovely print and drape, but was a bit disappointing to work with. Everywhere I put a seam, the needle pulled little white threads - and there was a flaw in the fabric on the fold, too. Hopefully not too noticeable, but not very high quality - especially for the price they were originally asking for it!

 

I had to use two colors of thread for the hem, and also switch thread colors part way through sewing. I tried to minimize that by sewing as much with one fabric at a time as I could.

 

I love the little shoulder details. They were really fast and easy to do, yet help to make the dress interesting. 

 

I finished it up but didn't wear it for a while. One Saturday night I decided I'd wear it for church the next morning, and tried it on. I'd been planning to wear a white belt with it, but that just did not look right. The photo on the pattern shows a tie belt with a bow in front, and that really does suit it best. So at 10:00 at night I ended up quickly making a sash out of rayon leftovers, and altering the back a bit to fit me better. Rather last minute, but it worked!

 

I paired it with some vintage accessories, including a 1950s hat that was the only one which would work fairly well. Thankfully it was a classic shape that also works for the 1930s - they alternated between dramatic hat lines far over the forehead and little round hats for the back of the head (think of Margaret Sullavan's hats on Shop Around the Corner.) But since these pictures I've actually gotten a 1930s hat that would be perfect. Too late for these pictures, but maybe next time I wear the dress!

 

I was able to achieve a bit more 1930s hairstyle than my usual by not brushing so much and leaving it more in ringlets. 

 

The front closes with just a brooch, and was quite easy to nurse in. It is so nice to have a different style that doesn't either button or zip up the front! 

(Sometimes it's also fun to play with editing a bit.)

 

I wanted a more formal setting to take pictures in than golden Idaho rangeland, and once winter is here will want good indoor locations anyway, so we experimented with my mom's parlor and I think it worked quite well. I rather like the different lighting it provided. Not shown are the two toddlers clamoring to climb up on the other end of the piano bench. :-)

 

Who knows...maybe I will become more adventurous with my fabric combinations in the future since this one had a happy ending.

 

I haven't made very many 1930s outfits this year, so this one is a nice addition. Plus it's so unusual for me that it makes me extra happy!

 

All photos by my lovely sister from Elsie's Adventuring.

1930s Satin Slip Trial

Hi all!

I have a few more outfits photographed, but this week I'm interrupting my original plans in order to show you my most recent project - my very first fancy slip in all my years of sewing garments.

 

I've done a few simple cotton ones for everyday in the past, but they don't open down the front. I have a favorite (newer) vintage one with elastic shoulder straps that I wear all the time, and often wish I had more than one. So when I was shopping an Instagram sale and saw this lovely slip pattern, I had to add it to my purchase. 

I immediately made plans for it, and actually was so exciting to start that I cut out the slip the very next day after the pattern arrived in the mail all the way from the UK. 

 

The first problem of course was suitable fabric. I don't usually keep lingerie-appropriate fabric on hand, and I don't like polyester next to my skin, but needed something limp and slippery. And of course it has to be a pale shade so it doesn't show through. I really wanted a pale pink slip, but then I remembered this length of light sage green rayon satin that I had listed on eBay a while ago, after coming to a realization that it wasn't a good color for me and I was never going to make a formal gown with it. Well, it would be perfect for slips! Thankfully it hadn't sold. 

 

The pattern is a few inches too small for me, and I couldn't size it up the usual way without injuring the pattern lines, so I added a few inches onto the side seams instead when I cut it out. This was a trial version.

work in progress photo 

 

It was really fast and easy, even though the instructions were so vague that even with all my experience I still had a hard time figuring out what they were telling me to do. I ended up winging it a lot. The hardest part was getting the top V nice and pointy while leaving a seam allowance out on the top pieces. I ended up doing a better job on the back, so I added a little bow to cover the less perfect front. 

 

I just serged all the seams, and covered the top ones with top stitched lace. For fun, I added insertion lace on the skirt.

 

One feature I like so much about this slip is all the options possible with those cute inserted panels on the bottom skirt. You could just sew them on and still give it some bias V detail front and back, or use a contrast fabric, or stitch trim to outline the V...or try insertion lace like I did. I used some thicker cotton lace I had on hand, so it actually doesn't hang as well as it should - the stiffer lace and all that stitching makes it stand out a bit even with the drapey fabric. If I used insertion lace again I'll want to choose heirloom lace, or something more delicate. 

 

Since it was already so long, I just turned up the hem and top stitched it with a decorative stitch on my machine. As you can see, the V doesn't meet at the hem, so next time I think I can be more precise. But it's still pretty.

 

I thought the pattern was 1940s from the illustrations, but it's pretty long even when hemmed, and very fitted through the hips, so I'm going to revise that to 1930s. It's ok - I can sometimes use a longer slip. Next time I will shorten it by folding the pattern piece below the bust, which should give me more room at the hips as well as shorten it. I prefer it to hit just below the knee.

 

The elastic lace for straps give me nursing access, without keeping it from regular wear. I had picked up the elastic lace for a few cents at the thrift store not long before the pattern arrived, which was serendipitous. 

 

So there's my first fancy slip! It's far from perfect, but certainly a wearable trial. I have enough fabric left for another one, and hope to make that one a better fit and fix some of the bobbles now that I know what I'm doing. If it turns out nicely I'll dress it up with embroidery, like the sketch!

 

 

Versatile: A 1930s Set in Green

I had this combo on my sewing list for a while, and a few months ago I made it happen. I realized I couldn't keep cutting into this forest green cotton pique for contrast on things like last year's Easter dress, or my most recent Christmas dresses, without eventually ruining it for the jacket & skirt plans I had.

 

I've been wanting to make this 1930s skirt again ever since I made it in white, and dark green solid is a much more practical color. Plus it goes with anything and in any season!

 

The jacket I used from another 1930s pattern, and it is my first time using an open ended zipper like this. Of course back in the day it would have been metal, but I used what I could easily source. It was actually quite easy to install. I should do more zip-front things like this!

 

The pique has a nice texture and a bit of stretch, so it fits well. 

The jacket really was quite basic and quick to make, too. I realized later that it would be a great background for some embroidery or other decoration...I will have to think about it and see if I'd wear it more that way, or if it's more versatile when left plain like this.

 

I like how it looks like a suit when worn together, though of course all pieces can be paired separately with other things in my closet.

 

The blouse is cut from a pretty piece of vintage seersucker I got from an eBay seller a while back. I had just exactly enough to squeeze out this blouse and a sash.

 

Such a pretty print!

 

The sash makes it more versatile, or I can also use it for a hair scarf if I want to coordinate in a different way.

 

I didn't look at the pattern closely enough, however, before I started cutting it out. Then I realized that it was meant to meet in the center, with an underlap, and close with lots of little fabric button loops. I was not about to mess with that many button loops every time the baby wants to nurse, so I decided to just overlap it and button it like normal.

THAT plan was underway when I realized that the V in the front wouldn't meet if it was overlapped, but be several inches off. :-(

 

Well, clearly I hadn't thought it through well enough...so I eventually decided to make it look more purposeful by adding another top stitched tuck farther up on one side, so it might look done on purpose instead of supposed-to-match-and-doesn't. Asymmetrical details are quite popular on 1930s clothing.

 

So that was all a hassle, but hopefully it didn't turn out too badly! I do love the print, the V in the back, and the sleeves, and how well it coordinates with the green pique.

 

I can wear it tucked in or out, which helps with more versatility as well. 

 

But I really do need to do another version of this blouse with more thought put into it! The pattern definitely deserves a more accurate treatment.

 

The jacket, though lightweight, is a bit too warm for summer, but it will work nicely for fall and spring transitional weather. Meanwhile the skirt and blouse can be worn for summer, now that summer will be arriving any minute in our neck of the woods. 

 

I am glad to have it finished! One more long-time project on my list crossed off.

 

Late 1930s Dark Blue Rayon Dress

This dress has been on my list for a VERY long time. For over 3 years I've had this rayon paired with this late '30s dress pattern...every fall it would still be on my sewing queue and I just never quite got that far. There were always new, more exciting projects crowding it out!

 

Then I realized that just because I didn't get it done last year for fall (again!), didn't mean I could not go ahead and make it this spring. It's actually a great transitional piece and can fit in many seasons.

 

I actually quite like wearing dark colors in the summer, since I can wear less layers under them. So I opted for the short sleeve version to make it more versatile, and went ahead and sewed it up during a big sewing spree before Easter.

 

We didn't get pictures taken right away, which ended up working out just fine...because our wildflower season was the perfect time to get pictures.

 

These blue wildflowers are my favorite. They lie in the wet hollows like pools of living water. We found a nice little hollow full of them, and had a photo session. 

 

1930s style Sound of Music, anyone? 

 

I had intended to make it with the white collar from the view 2 of the pattern, but changed my mind not long before making it, to use instead one of the vintage collars I've picked up at antique stores. Thankfully I had one that fit the V shape of the neck perfectly!

 

It was breezy when taking these pictures, so the collar and skirt don't always lay perfectly..but such is life when taking photos out of doors.

 

The pattern size was smaller than I am, so I had to size it up. It worked out well enough, though I wouldn't say it is quite a perfect fit. It's close enough for me (since I am not a perfectionist.)

 

I love all the tuck details everywhere!

 

I've done some dresses with similar construction and tuck detail, so it wasn't too difficult to put together. I think I shortened the skirt tucks a bit so they would look better on me, but otherwise followed the pattern (also adding a panel to heighten the neckline).

 

 

This rayon crepe - actually a fine black/dark blue houndstooth pattern - is limp, yet with a crisp feel, and hangs beautifully. Just like real vintage rayon. It was textured enough to not be too slippery while I was sewing, which was nice. The skirt feels more tailored but is still nice and flow - an element about pre-WWII patterns I enjoy.

 

This is the sort of classic dark dress that is easy to wear, fun to pair with various accessories, and versatile for different seasons and occasions. I can easily layer it with a cardigan for colder weather.

 

I am really pleased to finally have this off my to do list where it has languished for so long. It will be fun to style it different ways in the future.

Why I Love Thrift Stores - Dramatic Sweater Coat

The countryside where I live is greening up and filled with birdsong. But just an hour or so up in the mountains, there is still several feet of snow on the ground. It made a good backdrop for an outerwear photo shoot, so I have one last wintery post for the year.

 

Last fall I was on a thrift store run to the city a few hours away, and was just about to check out with a few things for the children when I spotted this sweater. It was dramatic and unusual - but it also reminded me very much of fashion ads from the 1930s. 

 

If it were worn with jeans, boots, and a modern shirt, you probably wouldn't notice the vintage style possibilities. But with a different outfit and accessories, it has a totally different feel. I paired it here with a late 1930s rayon dress I made.

 

The disappearing geometric lines and two-color play were both very popular in the 1930s. Just a quick look at black and white ads for 1930s coats and swagger coats show similar styles.

(It may have been called my "piano key" sweater by one person... :-) 

 

The sun on the snow made for less than perfect pictures, but hopefully you can see there are possibilities of keeping your eye out for vintage elements in modern garments. Sometimes it's something so classic that it hasn't changed much in style in all those years, like my brown wool jacket. Other times, you might be able to do a bit of alterations or add some details to take a piece from modern to vintage appropriate, like my swagger coat redo. 

Dramatic vintage gauntlets are just the thing to pair with a dramatic sweater like this.

 

Or it might be something more flamboyant and unusual, like this one. If you familiarize yourself with style lines and fashion ads from the eras you like, you'll find your eye trained to spot similar things when you are shopping. It's a great way to add to your vintage style closet without the expense and extra care of true vintage clothes.

 

 

Sewing Recap for 2019

It's that time of year again...time to round up all my makes from the past year so I can see them all in one place. I like doing this so I can see repetition or continuity, spot gaps or trends, and make goals for the future.

I made quite a few house dresses, as usual.

  

1950s sprinkle dress; 1950s floral dot dress

 

I made regular dresses as long as I could, but once my pregnancy was more advanced I experimented with adjustable dresses that would hopefully work both for maternity and non-maternity, with a variety of success.

  

rayon adjustable dress; maternity pinafore dress

pink gingham late '30s adjustable dress

 

My intention was to mostly try patterns that could potentially work for maternity and after, so I took some before and after pictures of some of the dresses to discuss how it worked.

 

2nd version of this pattern, without & with baby bump.

 

lavender adjustable dress, before and after

 

I also made a number of patterns twice, and since my creativity was limited, I tried my best to change them up as much as possible.

 

1940s adjustable dress in balloon print; in nautical denim.

 

summer housecoat replacement; again as an adjustable house dress

 

Because of my pregnancy limiting my pattern choices much of the year, I only accomplished one mix-and-match outfit this year.

 

 

I used a variety of fabric kinds and colors (including TWO orange makes *gasp!*), which I try to continue each year so that I don't fall into a rut. A variety of prints in different scales plus solids, using several weights of cotton, denim, rayon, wool, flannel, taffeta...

 

1940s rayon Sparrow Dress; 1950s flannel blouse

 

Though of course blue is always going to be a recurring theme. :-)

 

floral 1930s maternity dress; 1950s wool dress

giant-floral 1950s dress

 

I used faux fur for the first time for this self-drafted jacket addition; incorporated a variety of trims throughout the year, and made a couple hats.

 

fur capped 1930s jacket with matching beret; 1940s print blouse

blue halo hat

 

I made my first infant clothes for my new baby girl, including my first matching mother-daughter set for Christmas.

 

I learned some heirloom sewing techniques, which I practiced on this blouse. More pin tucking is definitely in my future! I have some ideas of how to add it to some other patterns now as accents - it really adds a higher level of quality finish to a piece.

 

I also branched out a bit to do a few other needlework techniques like ribbon embroidery, and picked up counted cross stitch again for the first time in years - even accomplishing the finish of a UFO that's been sitting in my box for so many years I've lost track!

 

...But the big surprise of the year was when I tried English Paper Piecing, which was the last final blow to push me over the edge. I suddenly gave up struggling against the urge, and jumped straight into learning and designing patchwork and quilting!

first finished quilt

 

Looking to the Future

This coming year I don't want to stress out myself with too many plans. With 2 little children I need to have the peace of flexibility in my own mind, and not set too many goals - because so easily goals can become the main thing - what needs to happen or you feel like you're failing - instead of family and household being the main thing, with some other smaller accomplishments along the way as you have time.

 

1940s confetti print house dress; 1950s semi-formal taffeta

 

BUT I do have a few general goals this year. My biggest one is that I want to become reasonably proficient with basic patchwork and free-motion quilting, and accomplish at least a few quilts start to finish. I also intend to learn how to use a long-arm machine, since I am lucky enough to have access to one locally. It's all a huge learning curve, since quilting is quite different than sewing garments.

 

A few general ideas for my sewing plans, however, are...

Since I'm not limited to maternity or adjustable patterns this year, I really want to work through some of my long-time queue that's been sitting there patiently waiting for me to finally bring to life - some of it for years. I also have some new favorite pieces of fabric that need paired with the right pattern. I'm sure I will self impose some deadlines along the way, since that always happens, but I'd like to do mostly just-for-the-fun-of-it-because-I-feel-like-it projects, shopping my own shelves and sewing queue to get excited again about projects I first thought of long ago.

Hopefully these will include more 2 piece or mix-and-match outfits this year, since I find those so versatile.

  

embroidered 1950s Easter dress; red gingham house dress version

 

When I first started sewing, I buzzed through the process as quickly as possible, to get to the finished product. Gradually I began to appreciate the process for its own sake, and while I doubt I'll ever get to the level of some of the seamstresses I admire - historical costumers who do intricate beaded dresses, or employ ancient embroidery or lacemaking techniques I've never heard of - I am more likely now to slow down, take longer, and learn new techniques instead of brushing off an idea because "I don't know how and will never learn."

Picking up quilting taught me to "never say never". My heirloom sewing classes taught me not only to actually enjoy the process of stretching and learning, but that it can be easy to learn new techniques, so my horizons are suddenly much broader. It's a bit overwhelming, because that opens up the scope for so many more ideas (like I needed more!), yet also inspires confidence. 

  

I thoroughly enjoyed doing a few color block projects this year, especially this favorite 1940s dress. 

 

I also have more refashion projects in mind, like this sweater coat. It's much faster than starting from scratch, and there are lots of ways to take a modern garment and make it vintage appropriate, if that's your thing.

Besides, refashioning is a good use of sewing skills. And with limited space, if you aren't going to wear something, getting rid of it or making it over into something you will wear seems like the best solution. So often those refashion and mending projects get pushed off since there's always something more exciting to make. But I'm starting out the year by clearing out my mending/alteration rack, and it feels good. Maybe that will give me the impetus to keep it up!

   

 

Conclusion

My final sewing count for 2019 is...7 1930s garments, 10 1940s, and 9 1950s. Some were new patterns - some were remakes of old favorite patterns in new colors, or with new styling. Lots of duplicates this year, too...hopefully I'll avoid some of that this next year. Some makes get lots of wear, some were retired to my maternity stash, while others don't fit quite as well or were a bit disappointing so they may be purged later on.

1940s color block Thanksgiving Day dress

 

I look forward to seeing what the new year holds! I expect it will bring plenty of new skills (i.e., quilting related - learning needle turn appliqué is just around the corner!) to expand my horizons, but I'm sure the tried and true of dressmaking will have a fair showing. We will have to see!

A 1930s Christmas Dress

Merry 3rd day of Christmas!

Christmas is far from over at our house on the 27th so it's still quite season-appropriate to post about the dress I made for Christmas Day this year.

 

Last year I made a festive dress that was more dressy and elaborate, and actually wore it the Sunday before Christmas instead of the day of. This year I wanted something more comfortable, for chasing children and getting meals all day, so I opted for a house dress with a lovely 1930s reproduction print.

 

This print is not so obviously Christmassy as many holiday prints...I actually didn't realize it was until after I bought it and saw somewhere that it was once part of a Christmas line. I looked at it closer and realized, Oh, it is red and green! But that gave me hopes that if I accented the green instead of the red, I could potentially wear it for other seasons as well.

 

I needed a pattern that was suitable for the era of the fabric, and also one that had some contrast, because I was trying to squeeze out a dress for me and my baby girl from just 3 yards. Thankfully, the 1930s abounds with contrast detail. I settled on a pattern with contrast yoke and half of a sash; that plus cutting the sleeves from the infant dress out of contrast, was enough to squeeze the rest of the pattern pieces onto my length. But it was close! No room for error here.

 

I would have liked to match the medium green in the print, but was working with my stash like a good little seamstress, and didn't have anything the right color. So I pulled out my dark green cotton pique for the contrast.

 

(Incidentally, I find that dresses often look less homemade when you use something textured as a contrast, instead of another color of quilting cotton. Something like corduroy, velvet, embroidered eyelet, linen, or in this case, pique, is often a better choice that really upscales your finished garment. So there's your sewing tip of the day.)

Also incidentally, I realized this is my 3rd project in a row that features a contrast yoke! Funny how that accidentally happens...I often tend to sew in groups, it seems - whether era, color, or some other factor like yokes in this case.

 

This was a pretty basic pattern with a few cute details. I loved the little points on the yoke. I didn't feel like switching out my thread - and also had none the right color - for top stitching the dark green, so I left my light thread on and made it look purposeful by using a decorative stitch. I haven't used this stitch before, but I really like it. It looks a bit like tiny feathers and adds just a touch of trim to the bodice.

 

The sash in half a contrast is something I'd never tried before, but it was sketched in on the pattern picture, and I decided to try it. I do like how it looks. Definitely something unusual, but it actually works. I love how creative fashion was - another reason to love vintage style.

 

I tied in the green with bands on the sleeves, but used white buttons - cute vintage ones thrifted for just 50 cents at my favorite thrift store back east. I think overall it does look Christmassy, but not so much that I will mind wearing it at other times. Just what I had hoped.

 

Of course, paired with vintage holiday jewelry and my red Marilyns from Royal Vintage Shoes, dressed up with vintage bow shoe clips, it does pull out the Christmas theme. It was so bright outside I could hardly keep my eyes open, but with the busy madhouse here on Christmas, it's lucky I had time to snap pictures at all! :-)

 

I also made a matching infant dress for my baby girl. I messed up the closure on the inside, but thankfully since it was on the inside it doesn't really matter. I was really happy how it turned out overall.

 

Our first matching mother-daughter outfits!

 

I made it big enough that she should be able to wear it for a while. Green is such a good color for her!

 

Thankfully they were both easy and quick projects, because though I left myself a week before Christmas to stitch them, with all the other Christmas baking and events, a serger that stopped working, as well as a crochet deadline rapidly approaching, I began to wonder if I would have time after all. But once I could block out a few hours during children's nap times, I was able to get most of the major construction done - a weight off my mind. I did finish up just two days before Christmas, but without too much stress involved.

 

I'd had this pattern for a long time and it never got pushed to the top of my queue, but I'm happy I found a good match for it. The dress was festive, comfy, and fun to wear on a busy family Christmas Day with all its food prep, eating and drinking, games, dishwashing, baby nursing, and curling up for Shop Around the Corner. Yet I expect to get more wear out of it than just one season a year.

 

Besides, it's so nice to find a suitable use for this adorable 1930s print!

1930s Purple Wool Jacket

During the summer I thrifted a piece of gray faux fur that I really liked - I'm picky about faux fur, but this one felt quite realistic instead of like plastic fuzz, and was a low, textured pile in a tonal color - both of which I loved. It's probably quite expensive to buy by the yard, but I only paid a few dollars for a pretty large piece. I knew I would have to use it for some contrast in winter outerwear, so here is the first project that features it. 

 

The jacket was actually a 1940s pattern, but by the time I was finished with it, it looks more 1930s to me - though I will use it for both eras, I'm sure. 

I used 2 small pieces of vintage wool I'd thrifted some time ago, which used together was just the right size for making a jacket, so it was a nice stash busting project. I really like the weave and color of the fabric, but it is pretty heavy, so it makes the jacket feel and look a little bulkier than I prefer. At least with outerwear, such things don't matter as much.

 

This was my very first time to work with faux fur. It sure makes a mess when you cut it! But it wasn't actually that hard to work with, which was a pleasant surprise. I cut the yoke pieces out of the fur, and did self drafted decorative sleeve caps.

 

I'd intended to just do a band of fur across the top of the sleeve to line up with the yoke, but at some point in the process, I decided that the sleeves needed more than just sleeve caps across the top, so I added dramatic points, and really love how 1930s they look. 

 

To do the sleeves, I first cut the entire sleeve pieces out of wool, then stitched a piece of fur directly to the sleeve, right sides together. Once I flipped the fur up towards the sleeve head, I could trim it down to match the sleeve head easily. Because of the deep pile, faux fur hides a lot of seam mistakes and is easier to fudge a little when matching lines. The sleeve caps are actually 2 pieces, yet you can't really see the seam at all, even under close inspection. 

 

I recently got these gorgeous vintage coat buttons of the perfect shade of gray at a steal, but there were just 3 of them. I had nothing else that would work so well. But I also didn't want to do giant buttonholes in that raveley wool, (and have been too lazy to get around to learning bound buttonholes...) so I ended up sewing the buttons on just for decoration. The jacket actually shuts with hooks and eyes, and snaps.

 

Again, my stash dictated my closure as well, which ended up being more creative than originally intended. I planned on using big snaps like you see on coats, but didn't have any. Instead of spending more money and ordering some (and having to wait to finish the project until they arrived) I used what I did have on hand. I only had 2 large hooks and eyes, so those I put at the most stressed places - at the bust and at the waist. Between those, I used smaller snaps, with a small hook and eye in the fur to keep the neckline in place.

 

There is no way the smaller snaps would hold the jacket shut on their own, but the hooks and eyes take most of the strain, and the snaps do their job of keeping the edges in place quite nicely. 

 

I did not line it, but I did interline the sleeves with some satin, so I would not have the itchy wool next to my bare arms and could slip sleeves in more easily, since this is to be worn over dresses and not as a suit jacket. It's still quite warm, even without lining, and I like light coats for long car rides (of which there are plenty, when you live out in the back country like I do).

 

The short length makes it not exactly ideal for skirts and blouses, but it will work well to wear over dresses, which is what I had intended it for. It didn't quite turn out as I had envisioned, but I'm reasonably happy with it - and quite happy with the fur part, which is all my own addition to the original pattern. Not every project is a resounding success, and that's ok.

 

The beret I cobbled together at the last minute so I could coordinate with the jacket. Again, the faux fur hides a lot of mistakes; but I have a good idea of how to better it another time. 

 

I wanted to get pictures of it in the snow, but after our Thanksgiving snowfall we haven't seen much snow so far, so these photos will have to do. 

 

And I have to put in a good word for my new Aspen boots from Royal Vintage Shoes. I didn't think I would wear their boots, though they certainly were cute, but when they came out with a brown and white combo it was too cute for me to resist, so I pre-ordered them this fall to try. I knew from my first wearing that I would definitely not be returning them, and they would be an absolute favorite for winter.

 

They are warm, stylish yet comfortable for long periods of time on your feet, and while they are definitely more weather/snow protection than regular shoes, they are lightweight enough you could even dance in them if you so desire! Absolutely ideal for shopping trips in messy weather, or even church if it's snowy. I am definitely sold.

 

I really have transitioned to winter sewing now, after working with cottons much of the time recently. Wool and fur are about as wintry as you can get, and I have some plans for some of the other cool-weather fabrics in my stash, though I will still sprinkle in some cotton here and there. Speaking of which, I must get back to working on my Christmas dress...because Christmas is next week already!